These rows of yellow pigments are arranged from least expensive to most expensive, beginning with yellow ochre and progressing to pigments such as lead-tin yellow. Together, they demonstrate a gradation of actual value inherent to the pigments themselves, rather than a value scale created through the addition of white or black.
These rows of yellow pigments are arranged from least expensive to most expensive, beginning with yellow ochre and progressing to pigments such as lead-tin yellow. Together, they demonstrate a gradation of actual value inherent to the pigments themselves, rather than a value scale created through the addition of white or black.